This article considers how those subordinated for their gender and sexual orientation, but privileged for their race and class, may be better allies to people, especially women, of colour. Judith Butler’s Excitable Speech (1997) is a helpful aid. Butler offers us a strategy to think through — albeit by way of supplementary voices such as legal theorist Kimberlé Crenshaw, French sociologist Pierre Bourdieu and philosopher George Yancy — how white women may find an ‘insurrectionary’ form of speech that is both (...) embodied and attentive to how we stand in the pecking order of public sphere expression and exchange. The article considers how white women’s ‘critical freedoms’ have helped shape the discursive preclusions faced by Black women. It analyses the conditions by which white women may assert their freedom of speech without this being to the detriment of women of colour. (shrink)

This article explores the queer qualities of feminist scientist Donna Haraway's ‘A Cyborg Manifesto’. In the first part, the article investigates the similarities between ‘A Cyborg Manifesto’ and the ideas circulating in queer theory, including the hybridity of identity, and the disruption of totalizing social categories such as ‘Gay man’ and ‘Woman’. In the second part, it is argued that ‘A Cyborg Manifesto’ evinced a decolonial feminist form of queerness. The article references the African-American, Chicana and Asian-American feminist sociology, theory, (...) literature and history that ‘A Cyborg Manifesto’ takes up. The article does not wish to position Haraway's white-authored text as an authoritative voice on decolonial feminist queerness, instead arguing for the role of ‘A Cyborg Manifesto’ as a bibliographical work that readers may reference in their exploration of decolonial feminist beginnings of queer theory. (shrink)

This article reflects on the history of queer theory's entry in France by turning to two critics, Marie-Hélène Bourcier and François Cusset, who claim to have introduced the term ‘queer’ into French culture. It analogizes these critics' claims as a battle of the ‘archons’ as conceptualized by Derrida in Archive Fever. Archons police official memory and search for the ‘authentic’ origins of the event, practice or discipline that is archived. The Derridean formulation allows me to consider the narrative that Bourcier (...) and Cusset assert, particularly that concerning the status of French theory as the progenitor of queer theory, in terms of the authority of the archon. The Derridean analogy also enables me to consider what gets written out of each account in the archontic endeavour. The article finally turns to the subject of the possibility of a more disruptively queer archive by arguing for a re-evaluation of Bourcier's earlier collaborative work. I argue that what Derrida pinpointed as an anarchivizing ‘fever’ that threatens stable, exclusionary memory may be detected in this early work. (shrink)